I’ve been working with motion control in one form or another since the early 2000s, starting with simple sliders doing timelapse work. I first encountered the Milo in 2011, and ever since then, I’ve been hooked.

My favorite part of this job is that I get to work with incredibly creative people.
Helping them realize their ideas and vision, breaking new ground, and pushing the boundaries of what’s been done and what is possible - that’s what gets me excited.

Some of the work we do is just like magic, and it’s really rewarding to be a part of the process of figuring out how to do the trick.